▾ March Dialogue (2024)

Format: Video Work
Collective: ama-gum
Participants: Mooni Perry, Park Hye-in, Yan Lin, Feng You
Exhibition: And the Silence Is Getting Silent…
Venue: factory2, Seoul (South Korea)
Dates: 29 March – 18 April 2024
Curator: Shin Hyojin

March Dialogue is a collaboratively produced video work by the writing collective ama-gum, created for the exhibition And the Silence Is Getting Silent…. The work reflects on non-linear, hesitant, and fragmented modes of expression that often fall outside institutional forms of writing or discourse.

ama-gum functions as a platform for experimenting with writing practices that resist fixed narratives. Embracing slowness, fragmentation, and forms of speech that remain partially unarticulated, the collective explores how independent writing spaces can support voices that do not easily align with normative academic or artistic frameworks.

The video foregrounds each member’s reflection on writing as a site of vulnerability, autonomy, and collective care. It also connects to ongoing discussions within AFSAR about archiving collective learning beyond institutional funding structures, linking experimental writing to broader questions of memory, community, and feminist epistemologies.

▾ On the Way to the Chinese Restaurant, the Words You Said (2023)

Format: Text & Installation
Collective: AFSAR — Asian Feminist Studio for Art and Research
Participants: Mooni Perry, Eugene Hannah Park, Park Hye-in
Exhibition: And the Silence Is Getting Silent…
Venue: Keep in Touch, Seoul (South Korea)
Dates: 9 December – 24 December 2023
Curator: Shin Hyojin

This collaborative installation emerged from AFSAR’s exploration of collective memory, feminist knowledge-making, and alternative archiving practices. Rather than documenting meetings through factual records, the project sought to capture the ephemeral and affective dimensions of working together.

Through text fragments, sensory notes, and spatial arrangements, the participants experimented with observing and recording disappearing moments—moods, hesitations, relational shifts, and shared atmospheres. The resulting hybrid installation links material traces with intangible impressions, proposing an expanded vocabulary for collective archiving.

The work reflects AFSAR’s broader inquiry into how feminist collectives can document lived experience beyond institutional frameworks, preserving the emotional and relational textures of collaborative practice.